Is Ali Velshi Married

MEXICO 2010 INDEPENDENT PUBLISHER

D the 19 to 21 last November was carried out by the seventeenth Meeting of Editors EDIT-Mexico based in the Asylum Law Institute Museo Casa de Leon Trotsky, AC, in Coyoacan.

organizers, Uberto Stabile, founder and director of EDIT (International Meeting of Independent Publishers), Merari Endor Iron Coordinator EDIT Editions and Mexico in 2010 and Alejandro Zenker Reap (International Network of Alternative Publishers and Projects) decided to bring to Mexico for the first time this event that had only been previously reported in Spain, initiated by its creator, writer Uberto Stabile.

After more than a year of talks and negotiations, it became possible to hold this meeting, thanks to the efforts of poet and writer Miguel Mouriño and the invaluable support of the Casa Museo León Trotsky and its director, Dr. José Antonio González de León.

The meeting consisted of a series of presentations given by more than 60 participants, there were performances, book fair and poetry gatherings and broke all expectations, drawing over 50 independent publishers, as Nortestación, Free Agency, Atemporia Editorial, The Garlic, Workshop of the stable, Collective irreverant, Estudios Superiores Cuautitlan Fac, The Pintadera Production Workshop, Our Cry rubbish, the Aguaje, La Rueda Cartonera Editorial, Santa María Juana Ediciones, Biblioconstrucciones, Dante, Hummingbird Press, The Customs Ediciones El Billar Lucretia, The Hermit, Figuratively, ENDOR Ediciones, Floricanto Editorial Fusión14.com Gazette Caryatid, Literal Gazette, The Cabra Editions, The Third Moon, ax handles, Mochica Comic's, Journal of Poetry UNAM, Resistance E ditorial, Verso Exile, Editorial View Publications, The Cartonera Magazine Clarimonde Homoscriptum, Punto G, This journal Blasphemy is called, The Holy Days of Poetry, Reflex Magazine, ADEAL AC, AlterArte Cracks, Pasquin Literary Edges Martínez, Howl Books, Diogenes International Waffle North of Vandalia Mester, Voices of the Far and getting an influx of nearly 560 visitors during the three days that took place.

Sheet Music Biffy Clyro Mountains Piano

.

A Pedro Hernández Rangel ...

My song is
scaffolding to reach the stars ..
Victor Jara - Manifesto


M usic, insatiable reader, museographer, curator, artist, teacher, sensitive man, honest, loyal, dedicated, anarchic, rebellious, antagonistic, bohemian, cheerful, friendly, professional anthropologist, my conviction.
That was Pedro Hernandez, a character worthy of a good story, like the one I lived the last three years we travel together for this lifetime.

De Pedro learned many things.

The love of work, an unassuming humility, not that which seeks to redeem, but we are beings whose developments have allowed through life without the need for recognition reaffirm that what they know they are.
That humility that allows men to enjoy the simple things in life, without the complications of those whose complexity prevents the blind and I realize how wonderful it is to the world around us.

was a good man, simple, sometimes retracted, of few words but great deeds. Solidarity as few, ideas, beliefs, friendship.
knew how to deal with life, despite the harshness that has characterized the times I play travel to our generation.

he recognized himself in the other, looked ever on our own faces, was one of us not only condition, but by conviction.
Endorsed
my tenderness and won my heart.

I will miss him, no doubt, from 2010 up to two thousand forever ...


Mexico City in October, 2010

Mount And Blade Mods Female

Do not be fooled .. This is what they do with the TELETON

How Long Can Lorazepam Be Detected In Your System

TLATOANI INVITES MORE ... Poetry Workshop Invitation

Our next events are:

Seminario de Cultura Mexicana President Masaryk 526.
Polanco (right next to the Embassy of Cuba)


Donation $ 80.00 17 Ballet Folklorico July 24 July 18 Tlatoani
Los Chiles

Guadalupe Javier Quiñones

Director

MAS TLATOANI

0155 55974962

CONTACT: tlatoanigf@hotmail.com

Best Catapult Design 2010

and Vanguard ... José Saramago ...

Call

A t @ l @ s two who dance the dance of life , at l @ s @ two mourning the death dance, to @ s fighting for a better life, right or left boom that rises beyond the mountains, the @ s hij @ s of the moon, the @ s hij @ s of forests, rivers and lakes. A t @ do that awake, bored @ to see so many stairs, building, automotive and the concert noise. A l @ s fans silent, @ s loving the four cardinal points of heaven and the stars. Invite to group workshop and Vanguard Poetry.

was conducted in the Cultural Center The Pyramid, located on Calle 24 esq. Closed Pyramid s / n, Col. Sn. Pedro de los Pinos. Three blocks from the subway Sn. Antonio orange line 7. Tel-33 30 June 1969.

workshop will be a permanent collective and horizontal.

Workshop Coordinator: Rodrigo Aleman.

First workshop: 17 August 2010.
Hours: Tuesday and Thursday from 17:00 to 19:00 hrs.
Workshop fee: $ 350.00 monthly.
We ask that you please register with the coordination of the Cultural Center. Preferably with Guadalupe Rodriguez.

Cheaper To Live In Ottawa Or Outaouais

F requently ask me how many years I have ...

What matters that! I have the age I want and feel.

The age at which I can scream without fear of what I think.

Do what you desire, without fear of failure, or unknown.

I have the experience of the years lived and strength of conviction of my desires.

matter how many years do I have!

I can not believe it.

Some say that I am old and others that I am at the peak.

But is not the age that I have, or what people say, but what my heart feels and my brain dictates.

years I have needed to scream what I think, to do what I want to recognize old wrongs, correct paths and treasure successes.

Now I have to say: You're too young ... not make it.

I have the age at which things look more calmly, but with the interest of further growth. I have the years when the dreams start to caress with the fingers, and dreams turn into hope.

the years I have love, sometimes it's a crazy flash, eager to be consumed in the fire of passion you want. And sometimes a haven of peace, as the sunset at the beach. What

how many years do I have? No need to dial a number, it made my desires, my triumphs, the tears shed by the road to see my dreams broken ...

worth more than that.

cares if I am twenty, forty, or sixty!

What matters is the age I feel.

years I have need to live freely and without fear.

To follow the path without fear, because I carry the experience and strength of my desires. How many years do I have? That

who cares! I have the years needed to lose the fear and do what I want and feel.

José Saramago Nobel Prize 1998 Litaratura

Removing Lawn Mower Blade Holder

Striker Charter for SME ...

Charter for a striker.

Day after day after day I get up, I can not but think of all those who have nothing to eat, and those who suffer from hunger, disease, dying to get out to have fun, those who die go to work, all those poor who have been victims of this country as some vile leeches suck even worse I can not stop thinking about those who still believe in the salvation of this country bled, in those men and women that demonstrate their discontent have stopped eating, I can not seeing them as the new heroes of my country, my country I see day after day with sadness and melancholy, What have we done? I asked with anger, sadness, Is it all lost? Education rotten, ruined life, Is that the only solution is to run away and scream "every man for himself"?. Yes I thought

. But things have changed.

Today I woke up, and I felt in my heart the spark of rebellion, I saw those men who have survived without eating, I saw his eyes skyward, looking and asking for a solution, I read the desperation in his eyes, sadness, anger, I have met many feelings, among them the admiration of all, the pride of knowing that there are still dreams, the pride of knowing that not everything has to be ruined, finally discovered that there are brave men and women, has arranged to give life for his country, just tell me what a history book.

address my letters now, men and women who are part of this fight, today, I know it's not enough to tell them not give up because they are not alone, that is why, today I decided to tell more than that.

admiration I have for you, not only based on take almost 50 days without food, not only that, I admire them because despite being in a country bloodied by those hungry for power, have not given up his fight, still here, giving all, I admire them for that I have been part of the thousands of young people who had no hope but to see them you full of energy, made me see that all is not lost, yes you can change things, I have finally begun to understand, why the history of my country, why did these things, and why if necessary, to happen again. Today

express my gratitude to all the strikers, my admiration and gratitude are full of you, I tell you that what you have echo, has been and always will be heroic action, which mark the history, and also save the youth of this country.

Thanks one more time, for opening my eyes, I know not too distant future, when necessary fight, young as I'll be there, because the example of dignity and courage that have left in my mind, is to become engraved deeply and all the blood runs through my veins.

I encourage all the strikers that their struggle is not in vain. Visualize victory, the goal is scored but you do not ignore the other achievements that this fight has left us.

Thanks for the effort and because it is now fighting across a country mired in mistrust.

From the heart of Mexico, "Zocalo" June-2010. Raquel Cabrera


López.Escritora, social activist and daughter of a striker

Generatore Plp Matlab

Review of the novel: "Hold Barreda" Alexander Colliard

By Nadia Filiberti / Argentina *

H ace recently read "The Unbearable Lightness of Being" by Milan Kundera as a first-person reflection shook myopia that he was reading:

"The characters in my novels are my own possibilities were not realized. So I want to equally to all and all I produce the same panic: each of them has crossed a border near which did nothing but pass. It is precisely this border (the border beyond which my self ends) which attracts me. Beyond it is where the secret begins on the questions the novel. A novel is a confession of the author, but an investigation into what is human life in the trap in which the world has become. "

This idea is one that seems to have followed Alexander Colliard with his book" Hold Barreda! ". In this novel the main actors are media personalities with a dark and even sinister history, with which the author plays a satirical fiction to the absurd, but they can also be prescient.
The main character, Ricardo Barreda, is a dentist-turned-filicidal Sunday November 15, 1992 in the city of La Plata, Argentina, killing in the same sequence to his wife, mother and daughters. Sentenced to life imprisonment
time later and, through dubious legal loopholes and regret, is released sixteen years later. It is here where the author begins his gritty fiction.
The main cast is completed by Ricardo Ruckauf, a political decadence that came to the Vice President of the country in question and that the novel seeks to regain lost leadership with the help of Barreda.
also involved in the plot a retired teacher, named Bert André, whom the public knows by his nickname, "Pochi" real-life girlfriend at the dentist, that their participation in the book is almost mute. The romance began through letters that the teacher wrote to the dentist arrested after they were introduced by a mutual friend. Using
apparently thinking that I used at first, the author, Alejandro Colliard complete gallery of characters, where it makes grotesque living a reality which is not only victim but also complicit, and invites us in reading be a necessary participant of this nonsense.
The author throughout his career he has worked in various branches of culture, standing as an artist, coming to present not only in their home country, Argentina, but also abroad. Lately he has dabbled in literature and achieved, in this, his first novel, a good letter of recommendation, suitable not only for the public informed of the police actions of the protagonist, but also for readers uninitiated, who use this story simply a work fiction.
rarely presents the possibility of finding a work that uniqueness and sarcasm to show us the desire for power, double standards, media manipulation and leadership sin responsabilidad con la que convivimos día a día por estas latitudes.

¡Aguante Barreda! se puede leer o descargar e imprimir gratuitamente en las siguientes direcciones:

http://www.scribd.com/doc/23891406/Aguante-Barreda
http://issuu.com/cinosargo/docs/aguantebarreda
http://es.calameo.com/read/000217095d79182764804

Tourmaline Versus Ceramic

New Books of Poetry ...

CARLOS BARBARITO
DOS NUEVOS LIBROS DE POEMAS

CENIZAS DEL MEDIODÍA
PRAXIS, MÉXICO D.F, 2010
Premio Praxis de Poesía
http://www.editorialpraxis.com/index.php?page=shop.product_details&category_id=38&flypage=garden_flypage.tpl&product_id=645&option=com_virtuemart&Itemid=1&vmcchk=1&Itemid=1

a fire under a fleeing sky
SUN DANCE, TENERIFE, 2009
http://www.paquebote.com/9788492528875/carlos-barbarito-un-fuego-bajo- a-sky-to-flight



IN PREPARATION UNDER FIRE
a fleeing sky Chasseur de poésie Prix 2010
BILINGUAL EDITION OF PATRICK TAPES

Open Undf Format File

by Rodrigo Aleman

A myth


V-aruete RAPANUI iene of aruete aruete ... began with a bet. Who among Chileans of RAPANUI could reach the continental Chile in a rowing boat. "As my grandfather yesterday .." Op.cit. Several boats were RAPANUI departed with swirls and a swallowed the sea. The other paddle boat and paddle. As a cobbler. They wore their tattoos painted. There was a bugler. Other with cap of Admiral. The tattoo was sleeping peacefully. Filled his jug with water from the Pacific Ocean. Admiral played the flute. And Rapanui danced, danced and practiced martial arts to protect the crew. Birth of a child, a girl, died an old man and an old ...


The sculptors worked day and night to make a tribute to the crew that arrived first. Several Moai ...


ARUETE-ARUETE-ARUETE-ARUETE-ARUETE ... We arrived to Valparaiso and we won the gold medal

How Much It Costs For Whole Body

IN THE OPINION OF .... Goodbye

Sunni and Shiite
By Rodrigo Alemany

N ada justify the wrongful death of Saddam Hussein. The Shiites and Sunnis to make peace and the army intevencionista United States withdraws from its president promised Barak Obama. Remembering the Black Panthers or the former commander of the Armed Forces adusta Powell and Condoleezza Rice? Bush's legacy is grim. Does the President continue to Democrat? Black "weak and strong white?. The truth is that those who walk, work and study every day in the American country sometimes wonder: When will be a third political option in the U.S., as a party or alliance, or Frente Amplio and has representation in Parliament Washington DC?


Ur ...

Speech Boards Stroke Victims

Carlos Montemayor ...

For Carlos Montemayor, musician you got a man of letters and ended up as a social activist ...

By Miguel Mouriño

When men die as well, some petals wilting flower of hope ..

E n 2008 we ate in the garden of Leon Trotsky Museum in Coyoacan. Attended Javier Wimer, Carlos Payan, Victor Flores Olea, Antonio González de León, Esteban Volkov, Trotsky's grandson, daughter of Esteban Volkov Veronica and Carlos Montemayor, all members of the Board of Trustees of the Right of Asylum Museo Casa de León Trotsky, BC, also were Carlos Ramirez Sandoval, director of the museum, Alejandro Encinas, president of the Fundlocal, accompanied by his wife, Aaron Mastache, friend and collaborator of Alexander and me, who act as coordinator of Cultural Diffusion in the museum ..
talk began long before the meal. Javier Wimer jokes made us laugh so loudly and as we drank a refreshing blanc-cassis, came as usual, on board a taxi, Carlos Montemayor. His arrival further encouraged the meeting. Her face is always stern, piercing eyes bulging behind his spectacles, he prepared to compete in the realm of jokes with Javier Wimer and then more serious tone, he answered the Carlos Payan questions about the state of their research and work on his next book, talked about language, about the guerrillas and the Indian peoples, in Ciudad Juárez and its serious problems, we reflect on the situation in the country, concluding that were necessary not only fiscal and political reforms, but a reform of the education, because education is the platform that supports any national project. It is a kind of antidote to violence and tearing the social fabric.
then made itself felt in the afternoon and the heat of red wine and whiskey, Carlos reciting Dante in Naples and took off his dour expression face and glasses, raised his eyebrows, lungs filled with air and slowly dropped his voice, his eyes fixed on the horizon, singing the Cavalleria Rusticana, there was silence, these deeply comforted to hear us. The musician was there in the middle of the meeting, at the foot of the table, singing with that strong voice, tenor, covering the whole, he felt with a force and clarity shocking.
That was the last meeting I shared with Carlos. Then I saw him only sporadically in some places where we had to match and I spoke with him by phone in December to say hello and ask for his signature in an open letter that was published in La Jornada, 24 this month, which recognized the valuable work of Carlos Ramirez Sandoval during his nine years as director of the Trotsky Museum and he surrendered a fitting tribute for his more than forty years as a university professor and promoter culture. Carlos wanted to be the first to sign it and it was. Then I saw him no more, we never talk. José Antonio González de León, over breakfast that we share the last days of January in Coyoacán, told me that he had called on several occasions and that Carlos did not take the call. I found it odd. Never stopped taking the phone to meet their friends and acquaintances. Later I learned that this same had happened to several others. The call with the intention to investigate what was happening, Lucy his secretary told me I was sick, but did not say what, or much less severe disease status.
Carlos Montemayor never imagined I would die so soon, but if not bad memory, ever heard him say that death had no timetable and it is always a good time to die, especially when you die from something to something.
today I would say, if they could hear me, that as long as we live well, die well. That whenever you do in life the things you have to do that are to be made, despite the fear, the risk of tedium, the stress, discomfort, then life is good and well and can then die, knowing that the world is left is a better place, thanks to one made a real effort and fought to change it.
Carlos Montemayor, was characterized by living every minute of his life, with courage and endearing lucid intelligence that allowed him to contribute invaluable in the process of social and political lives not only Mexico but throughout Latin America toward a more just and inclusive society that respects human rights and recognize cultural diversity, an essential value in the path toward these goals.
Finally, Carlos was taken to go, left behind a book telling of what was his passage through this life and also left the echo of his tenor voice, which will remain as an indelible imprint of his spirit strong, brave fighter character, which took him a musician to get man of letters and end up as a great social activist. Master
after all and above all, Carlos has left us a great task to continue their example of struggle and courage, to pay the land on which blooms all hope.

Oscar Statue Chocolate Mold

Two poems ... Submitted by Rodrigo Aleman

TE ARROJO

Honduras skin, affection
Baggage
Under the surface of your hands tremble persistent

The tangential angle of wet lip
As rattle deceased in the dark. Balm

red blood floods the skin that burns without limits

Under the perpetual harassment of my fingers jubilant. Fruit
design, pure wave, Sacramental
is your libido desire, Tristes
lips, Tangential
name you in the dark. Boobs
announce which harbors the storm,
The wonder of mists and islands of your naked skin. Your skin
as symbols, where faces pillars Infinite
dawn,
The inner face of your woods, your fragrance mineral wet Exact
your sex, Lascivious
, uncertain
's Pontifical
desire to mature away from your body. Balsamic
, sad,
irredeemable guilt throw you which services redeemed
I jumped into the groove of the endless love that will never fall in
.

YOUR WORD IS

arrhythmic stained, ill-fated empire, Delirious
voice heraldry eat fruit orgasm
In that death redeems us
In the nomenclature of absences. Alforja
nocturnal throws the pendulum
The final hour fruitful
Among the torn wings of the dragonfly.
buried impure,
The arsonist delirium that I am constituted
The parable of light moisturizing my body. Outlaw
your kisses

In your virgin gossip Tighten the lexicon of my desire unfortunate, sores kissing
In thirst and fire.
Your word is gunpowder,
Cienega, unpolluted crossing, where the moor
stained with the sign of nitrate,
Your sign.

Average Bmi By Nation

... Centennial

Column "scaffolding"
published on February 4, 2010 in www.rebelion.org

Communism and Democracy: Italy to Chile ... the hands of Julio Anguita

By Mario Amorós


My song is from the scaffolding to reach the stars

Victor Jara - Manifesto

F ue to mid- 90. In one of his last speeches as general secretary of the Communist Party of Spain in the annual festival that took place then in Madrid's Casa de Campo, Julio Anguita we asked the thousands who heard him: "What has won the Italian people with the demise of the Communist Party? ". A few years earlier had the great PCI opted for its transformation into a social democratic party (although a minority was Rifondazione) and in Italy and Silvio Berlusconi ruled clearly perceived the rise of the xenophobic Northern League of Umberto Bossi and the National Alliance of Gianfranco Fini, heir Fascist Italian Social Movement.

The Italian Communist Party, the organization of Antonio Gramsci Palmiro Togliatti Luigi Longo Enrico Berlinguer, the most powerful PC in Western Europe, which brought together leading intellectuals and millions of workers, the soul of struggle against fascism during World War II, was unable to face the crisis that ended with the disappearance Soviet Union triggered the transition to capitalism in Eastern Europe. When held in Rimini from 31 January to 3 February 1991 the Twentieth Congress of the PCI, this party had 1,265,000 members and had just obtained 23.8% in provincial elections last year. That Congress approved the dissolution of the PCI and its mutation in the Social Democratic Party of the Left, which in 1998 became known Democrats of the Left and in 2007 formed along with other forces of the Democratic Party.

PCI's decision served the large European media and the powers to require the communist parties to emulate the example of Italy. In Spain, the PCE in the XIII Congress decided that it retains its full meaning the existence of a communist political force and the struggle for socialism. It was not easy to challenge the hurricane that proclaimed the "end of history", the final victory of capitalism.

Today in Italy the triumvirate Berlusconi-Bossi-Fini maintains one of the most reactionary governments in Europe, which criminalize ethnic minorities (mainly Roma) and seeks to migrants in an irregular situation, by virtue of legislative reform promoted in 2008 by Interior Minister Roberto Maroni, a member of the Northern League. And, as in a nightmare This returns us to the 20 and 30 of the last century, groups with fascist symbols back to "monitor" the streets of some cities. The rise of populism Berlusconi and his alliance with fascism XXI century can not be understood without the disappearance of the PCI, the current crisis of Communist Refoundation and the gradual disappearance of the historical memory of the heroic resistance against fascism. The question that a starry night in September we did Julio Anguita retains all its validity.

PCI, while the leaders of his party headed toward suicide in Chile Aylwin's victory in the presidential elections in December 1989 precipitated the end of the dictatorship. In those days Communist Party launched a public campaign to win back the law, with the hammer and sickle that created José Balmes. The motto of the campaign ("Chile needs a Communist Party") must have crossed the ocean and resonated in the consciousness of the Italian comrades, who could only have reason to be proud of the history of his party.

On January 13, 1990, thousands of people arrived at the Estadio Santa Laura, which Gladys Marin outlined the major challenges that the left should take to the next stage: a new constitution, democratization of the armed forces, the repeal of labor law dictatorship democratic electoral law, truth, justice and memory in human rights ... "And today, after 16 years of dictatorship, where we have not only survived, but we lived to fight" said Gladys, "we have political strength, moral strength to say to all of Chile, here we are ready to continue fighting for the happiness of our people, for the right to be free and dignified. Chile declare to all that the Communist Party comes to the legality ... Emerge from the underground hard to involve us in new storms. Emerge with Neruda's poetry and songs of Victor Jara, emerge with the new hammer and sickle that has given us José Balmes, full of colors and beautiful lines. Emerge as true patriots, starting this new way. "

Twenty years after these words, the Communist Party has three deputies and their contribution will be decisive for the period beginning on March 11 last only four years. Here, in Europe, many have been compared in recent days with Silvio Berlusconi Sebastián Piñera (both have a very important football team, television, an immense fortune ...). Berlusconi already know everything: their reactionary policies, his anti-foul, his ties with the Mafia, his disregard for democratic values \u200b\u200b... Without the disappearance of the PCI and current weakness of the left could not succeed.

Piñera, however, will face a human rights movement succeeded in the arrest of Pinochet in London and processing in Spain and Chile, as well as hundreds of repressors in recent years, a growing left with values \u200b\u200band historical principles up, and a labor and union movement strengthened in recent years around the United Workers Central.

Rebellion has posted this article at the express request of the author, respecting their freedom to publish it elsewhere.

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Gramsci and hegemony of globalized culture.



About the theory of hegemony by Antonio Gramsci (Italy, 1891-1937) and the theoretical situation of the hegemonic system and social structure, in both cultural and non-class domination schemes, we can move in a number of considerations that highlight the unfinished state's role as a guiding instrument of social relations in a particular historical context. To argue that social revolutions can not achieve their goals through confrontation but through mutual collaboration between classes and proletarian hegemony, Gramsci highlights the inherent bias of the latter to be directed at a social function that must necessarily be distributed evenly among the classes so that its premise is possible.

However, the consideration of culture as a social mass leads to a bifurcation of interpretations. On the one hand, the approval for the imposition culture of the ruling class leads to the creation of a depleted profile of individuals, while requiring the elimination of certain distinctive elements of one or more cultural blocks, as is currently profile global citizen, who, having shed much of their value system and tradition, strengthens its susceptibility to the influence of the dominant culture. On the other hand, the factor of unity implicit in a system of social masses can be further catalyst element of autonomy of local cultures in favor of consolidation and permanence, as may well exemplified in the guiding principles of Islamic fundamentalism .

In this sense, Gramsci's great success lies in the approach that these differences must be considered from the structural foundations of the social fabric, ie as the result of a class consisting of historical socio-cultural groups that have a direct correlation and, therefore, are prevented from staying out of each other. This does not necessarily mean that the social good points to the integration of them by way of eradicating the dominant group. On the contrary, it remains unclear other Gramsci's theory that, to make culture possible, must necessarily be in the context of a system of domination.

Thus, the interaction between socio-cultural block can point to the same diversity to uniformity, according to the context of their circumstances, and it is precisely this dynamic which underlies the scheme of mass society, not opposition, but integration through periodic intervention of leading figures whose tissue penetration as well as the proletariat Funj motivator as mediation for various levels of tension inherent in the coexistence between the classes, so that the meaning of revolution social point to the common good rather than the possible repeal of the culture, which is regarded as a (historically corroborated) of hegemonic and subaltern classes.

Thus, on a par with the political and educational, aesthetic activity keep a specific weight and an equally dominant in the existing social formations, despite the trend unilateral economic and cultural globalization standardized, it is from the combination of ethical and aesthetic values \u200b\u200bas can be to channel the ideological reading of the times.

And all this, what tells us our time? ...

Free John Deere Christmas Cards

José Lezama Lima ... Among puppets

Rueda the sky that does not agree ... Rueda

the sky
not match your intent and the graceful long-
to visit the possession of the carnation on his neck

cooler that high empire for centuries.
Sky-wheel crown his breath gentle water

Palace silent on the river
speak its clear picture.
Its clear picture.

heaven will assume the dogs revealed
-wind of a scent-
advised. Rueda
heaven on that aroma
quasi
thronging the windows, like a dark power

diverted to new lands. Rueda

heaven on this strange flower sky
of this flower, only
jail
crown without noise ...

José Lezama Lima

E ast December 19, were completed 99 years of the birth of José Lezama Lima, undoubtedly one of the representative poets not only of his native Cuba, but of Latin America.

Lezama Lima was a man who took himself lived and wrote extensively, created and recreated scenes wonderful, memorable characters as Oppiano Licario, stories that transcend the imagination taking a place in the world of reality, as Paradiso and poetry Lezama Lima's poetry was in all things, the poetry that shines in all his works, in every paragraph, every scene, every line. The narrative work of José Lezama Lima, becomes a single great poem, the sublime use of language, the labyrinth of images, ideas and words that turn into poems, prose cuasiperfecta that took us out to a world of nuances that are mixed with reality. José

100 years, Lezama Lima, poet, is still there in his chair - " sentenced to stillness, and still basking forever. My only carriage is imagination, but not dried: mine eyes have ..."- lynx and with those eyes, imagines himself in time to face his death, determined to transcend: "... all survived and have to survive and to death. Heidegger holds that man is a being for death, every poet, however, creates the resurrection, sing about death a victorious cheer ... "

Yasi is, the poet survives beyond death victorious, took a deep breath, lungs filled verses and shouting at the wind expelled, announcing everything, every light, every moment, each arrival and each departure, naming each star and its verses soaked us, like drops of water on a rainy afternoon ...

not dead José Lezama Lima, still alive after 100 years, will celebrate as it should be re-reading his poems, enjoying his language, his poetry and in the meantime the Organization of the United Nations Educational, Scientific and Cultural Organization (UNESCO), has announced that its schedule of festivities for this year, provides for the birthday of Lezama Lima, who will likely receive a fitting tribute, watching from the curtain of the literary universe, where twinkling on one side of José Martí and Neruda, Dario, and Guillen, Vallejo and Huidobro, López Velarde and Cortazar Borges and Peace, in short, by all the stars of the English language, have asserted that Latin American literature.